Call-and-Response: An Ancient Linguistic Device Surfaces in Usher's "Love in This Club"

Authors

  • Nathan Keegan

DOI:

https://doi.org/10.6017/eurj.v5i2.8895

Keywords:

Fall 2009, humanities, music, linguistics, pop culture

Abstract

The call-and-response, originating from African tribal rituals, has become part of the foundation of modern African-American culture. This article explores the significance of call-and-response in Usher's "Love in This Club" and relates salient features of the music to the club culture that underlies it. "Club hip-hop" emerges as firmly rooted in the use of call-and-response. The rituals of the club are likewise mirrored in the style of the music, which at times can bear the importance of sacred ceremony.

Author Biography

Nathan Keegan

Nathan Keegan graduated in May 2009 with a degree in Linguisics and Latin American Studies. His interest in popular music studies grew from his experiences as a songwriter, producer, and multi-instrumentalist in the award-winning BC hip-hop group The Keegan Brothers Trio. He is currently sering as a WorldTeach Volunteer Fellow in Kosrae, Micronesia, where he teaches mathematics.

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Published

2005-11-15

How to Cite

Keegan, N. (2005). Call-and-Response: An Ancient Linguistic Device Surfaces in Usher’s "Love in This Club". Elements, 5(2). https://doi.org/10.6017/eurj.v5i2.8895

Issue

Section

Articles