Mark Rothko: A Cross-Modal Approach

Authors

  • Ann Sarno

DOI:

https://doi.org/10.6017/eurj.v2i1.8944

Keywords:

Spring 2006, humanities, fine arts

Abstract

Synesthesia is not only highly instrumental but primary in our figurative thought and expression. The overlapping of sensory modalities can be used to elucidate complex layers of perception through a universal type of metaphor. In regards to abstract expressionism, a visual strategy that is vague and vat, referring to alternative modes of perception to comprehend painting proves extremely useful when exercised with discretion. The research I have conducted includes psychological experiments, studies on color, gravity, physics, acoustics, architecture and art criticism. By analyzing gravity, volume, pitch weight and saturation in music, I have identified them in abstract expressionist Mark Rothko's art. Although these components are mutable in Rothko's career, they are consistently present.

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Published

2006-04-15

How to Cite

Sarno, A. (2006). Mark Rothko: A Cross-Modal Approach. Elements, 2(1). https://doi.org/10.6017/eurj.v2i1.8944

Issue

Section

Articles