Songs of Praise and Invocation: The Orisha Sacred Songs of Trinidad

Authors

  • Richard Paul

DOI:

https://doi.org/10.6017/eurj.v3i1.8986

Keywords:

Spring 2007, humanities, linguistics, sociology

Abstract

The purpose of this project is to study and translate recorded Yoruba chants and praise songs of Trinidad over the past 65 years. Because of the horrific conditions of the trans-Atlantic slave trade, almost all Orisha devotees have lost the meaning of the chants, and consequently, the emphasis is on the rituals. I seek to determine to what degree the chants sung in Trinidad have remained the same or changed and to what degree they have all departed from continental Yoruba. Acquiring the translations allows devotees to attain a philosophical understanding of the religion, and in doing so, this study aims at reconstructing and uplifting the Orisha religion of Trinidad.

Author Biography

Richard Paul

Richard Paul is a Senior in the College of Arts and Sciences completing an Environmental Geosciences major and an African and African Diaspora Studies minor. He is a native of Trinidad, and his childhood exposure to the Orisha spiritual tradition has nutured his love for both the environment and African diasporic traditions. He will attend graduate school to pursue both Geology and Trans-Atlantic New World Religions.

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Published

2007-04-15

How to Cite

Paul, R. (2007). Songs of Praise and Invocation: The Orisha Sacred Songs of Trinidad. Elements, 3(1). https://doi.org/10.6017/eurj.v3i1.8986

Issue

Section

Articles