Victor Horta's Vision: Art Nouveau, Fusion of Function and Form

Authors

  • Kate Swofford

DOI:

https://doi.org/10.6017/eurj.v6i2.9031

Keywords:

Fall 2010, humanities, art history

Abstract

Working at the turn of the century, the Belgian Victor Horta was one of the art nouveau's premiere architects and designers. The goals of his work are realized most successfully in the townhouses he created. Practicality and the aesthetics blend seamlessly together, resulting in buildings simultaneously revolutionary in their innovation and classical in their emphasis on harmony and order. As characteristic of art nouveau, the first self-consciously modern style of architecture, Horta stressed organic forms in design as well as structure. He counterbalanced the inherently static and rigid nature of the edifice with natural, curving shapes to render the home more appealing to its residents. Furthermore, Horta and his clients saw their association with art nouveau as a reflection of their ultra-liberal, progressive political views. In many ways, Victor Horta's work represents the pinnacle of art nouveau, not simply in its rejection of architectural conventions and its emphasis on integration, but also in its respect for the merit of classical works. This concurrence is at the heart of Victor Horta's success.

Author Biography

Kate Swofford

Kate Swofford is a member of the College of Arts and Sciences Class of 2010, who majored in Political Science and Art History and minored in German. She is currently working for Paul, Weiss, Rifkind, Wharton & Garrison LLP in New York City as a paralegal. During her last three years at Boston College, her family resided in Vienna, Austria, a city renowned for the prevalence of art nouveau in much of its architecture. She was inspired by this pervasiveness to write this piece on one of the style's true pioneers, Victor Horta, for Jeffrey Howe's Art Nouveau and Symbolism course.

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Published

2010-11-10

How to Cite

Swofford, K. (2010). Victor Horta’s Vision: Art Nouveau, Fusion of Function and Form. Elements, 6(2). https://doi.org/10.6017/eurj.v6i2.9031

Issue

Section

Articles